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theVoyage part2
From the upcoming release theVoyage. This is part 2 of total five (5) ambient tracks and videos that will be […]
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Seriously! – Filmmaking Masterclass Majorca 2012
Created as part of the Majorca Filmmaking Masterclass 2012 (film-masterclass.com) Conceived, Filmed & Edited by: Alessio Veserin, Gideon van Eeden, […]
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Pure Love City by Pink Flamingo
//SLANG MAG special feature PURE LOVE CITY Pure Love City is the place where you were born, an ephemeral place […]
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Jump Station – Nike
Encouraging peak performance through larger-than-life payoffs, Potion created the full-body reactive “Jump Station” for a special Nike exhibit at the […]
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Haendel – The Messiah – Hallelujah
Performed by L’Orchestre de Chambre Nouvelle Europe, conducted by Nicolas Krauze. Choirs : Chorale des Abbesses, Chorale de St Germain […]
The hidden glitch in our reality π #simulation #mystery
In 1977, Philip K Dick proposed that our world is a programmed reality. He claimed to have the evidence in his own mind.
The author of Blade Runner and Total Recall didn’t just write sci-fi; he lived it. Dick insisted that he possessed an alternate memory of events that contradicted the timeline he was currently experiencing. To explain this, he used the analogy of a painting hanging over a fireplace, which servants could alter while the owner was out of the room. It was his way of describing a world that could be rewritten without us noticing.
This is one of the earliest and most articulate arguments for simulation theory. By questioning the stability of our surroundings, Philip K Dick forces us to confront the possibility that the physical world is merely a projection. Whether his experiences were a mental break or a genuine glimpse behind the curtain, his testimony remains a cornerstone of modern skepticism about the nature of existence.
Follow @jimswormhole for more trips down the wormhole.

